Influence of Banks on the Economy and Finance Sector

Influence of Banks on the Economy and Finance Sector 1. Introduction Fundamentally, banking is a process that help the people to solve the problem in financial, for instance DBS. The term â€Å"finance† sector is the regulatory framework that permit transactions to be made by incurring and settling debts (Parkin, 2014). Banking and finance means a lot in Singapore economy as it helps the Singapore economy to growth gradually over the last one and a half decades. Besides, the economy of Singapore become the strongest among the Asian (Top 10 most competitive economies in Asia-Pacific | World Economic Forum, 2015). Most of the bank are earning profit by charging interest on money that the bank lend and by trading financial instruments in the financial markets (Risksandrewards.org.uk, 2015). Thus, almost every bank is seeking the rich person and give them the best offer and try to persuade them to save the money in their bank. 2. Contribution to the national economy 2.1 Job Market Basically, job market implies the employer looking for employee and the employee that is looking for jobs. Whether the job market grow or shrink, it is depends on the labour demand and supply within the long-term economy. (Investopedia, 2010). Job market has help Singapore economy, according to Ministry of Manpower report, the jobs that available has risen to 67,400 and it is the highest level in six years (Stats.mom.gov.sg, 2015). The jobs help the citizens and foreign workers to get the job more easily in Singapore, thus, the unemployment rate also has been decreased steadily (Channel NewsAsia, 2015). Moreover, the banking and finance sector help the SMEs with provide loan as much as possible and once the SMEs expanded their business and it will let the Singapore economy become more stable. 2.2 Local Financial institution investing offshores projects The primary transaction of local financial institution is dealing with financial transaction, for example, deposits, loans and investments. Practically, everybody has deal with financial institution all the time. Everything from keeping cash to taking out loans and exchange currencies must be done through financial institutions (Investopedia, 2006). Singapore have to build up the local financial institution so that Singapore itself able to invest the offshore project. Thus, the economy of Singapore will go steadily. Singapore has to use it advantage which is longstanding position as a main trading hub in the Southeast Asia, so that Singapore allow to proceed with the projects. The strategy which Singapore used has promote and develop the strategy to let Singapore to become offshore trading hub for the import and export for the foreign currency. By that time, Singapore foreign exchange market has been inseparable. Thusly the banking and finance service sector has been becoming emphati cally as the year goes through with the enormous economic growth that the Singapore is encountering. Growth in the foreign exchange market has surpass the economy in Singapore and it served to create a lot of worldwide banking institutions. For instance, Singapore leading the global marine and offshore engineering market (Singapore Economic Development Board Investing Business in Singapore, 2015). 2.3 Financing SME SME is extremely important to the Singapore economy said by Finance Minister Tharman (Channel NewsAsia, 2015). The Ministry of Trade and Industry (MTI) announced a series of measures to enhance support for SME to restructure and achieve quality growth. Furthermore, the government will enhance support the SME in the areas of productivity, innovation and capabilities upgrading in order to boost their capabilities and remain the competency between the SME (Mti.gov.sg, 2015). In additional, SMEs are important to economy of Singapore as they make up 99% enterprises, said by MR Tan Ser Luck. As Singapore is a small domestic market, so the SMEs need to take risk abroad relatively in the development in order to grow and there are approximately 74% of the SMEs export the goods and services (News.gov.sg, 2015). 3. Challenge facing by this sectors in present and future 3.1 Government regulation and deregulation Government regulation which means that the law that pass down from government is to control business in order to protect the consumers interest and government institute regulatory law. In contrast, deregulation means government rules and law is removed (Everyday Life Global Post, 2015). There are a ton of regulation that they have to follow all together for the sector to growth in the economy. Without inputting the regulation to sectors, most of the consumer will not be protected if the business has an unscrupulous activity. Banking and finance services sector will face challenges if deregulation happen and it will wind up have confusion in the economy. To keep chaos from occuring in the Singapore economy, it is a difficulties for the government to turn out with the laws and laws for this sector. 3.2 Shortage of skill talent Deficiency of skill talent defined as there is not enough of skill and talented people to help the firm to gain profit by using less employee making more yield. According to the secondary data, runs a business effectively, almost 45% of employers believe that if want a business runs effectively, the skilled talent deficiency is the potential people. Hays done a surveyed of the bosses represent to the employees and it had also figured out that banking and finance services sector is one of the troublesome expert to hire the employees (Hays.com.sg, 2015). According to Hays deficiency of skilled talent may influence the operation and growth of the association. This has additionally indicate the employers in the association to be inventive to attract more employees in this divisions. 3.3 Cyber-crime Basically, Cyber-crime are people utilizing distinctive sort of electronic devices to admonish, affront or login to unauthorised system to abuse the information without authority permission. In Singapore, cyber-crime is one of the difficulties confronting by the banking and finance service division in light of the fact that annual crime brief in 2014 cyber-crime exercises has increment by 1149 cases to make an aggregate of 1659 cases. By contrast, with year 2013 which just have 510 cases. In this cyber-crime it also incorporate crime cyber-extortion, web adoration trick are some of the fabulous crime that are hard to control that why this is one of the difficulties that is face by banking and financial service sector as all this cyber-crime include huge measure of cash being scam (SPF, 2015). 4. Strategic planning by this sectors in the present and future 4.1 Training and Education Due to the shortage of skill and talented employee, training and education is the best planning. The employer send the underperformance employees for training in order to upgrade themselves and learn to be more skilful at the same time while education is send the employees to advance study to gain more knowledge and get a better and higher qualification so can get the banking and finance job. In the banking and finance sector, it required extensive knowledge and skilled so that can produce the good work easily. Banking and finance are very competency as this sector get the very high salary and that’s why government always encourage the firm to send their employees for training to let them be more professional so that it can build up the national economy in Singapore. 4.2 Security and Regulation Security and Regulation is a certificate and all the rules and regulation of the company are stated in the certificate. Singapore government has created the security and regulation in order to preserve the economy and the external intimidation to come into Singapore (Acharya, 2008). Furthermore, security and regulation can preserve the national interest. Therefore, every single rules and regulation has a huge impact for every country and the government have to set it carefully. 5. Conclusion Banking and finance is essential to every country as it will impact the economy of the country. In Singapore, Monetary Authority of Singapore support this sector by setting rules and regulations to supervise the financial institutions. The purpose is to make sure every financial institution abide rules and regulations and hope that this banking and finance sector will create more jobs for and build the Singapore economy stable and better, and have a bright future.

The Novel Deliverance as a Prophecy of Man :: James Dickey Deliverance Essays

The Novel Deliverance as a Prophecy of Man A true survivor can only depend on himself. The novel Deliverance is a story about four characters each with different views on surviving. Every man in the world can relate to one of the three secondary characters in the novel Deliverance. Men can relate to Lewis Medlock for his primitive views, Drew for his rationality, or Bobby for his lack of ability to survive. Many people say that Lewis is the man that most men want to be like, Drew is the man that most men are like, and Bobby is the man that most men fear becoming. Lewis is the man most men want to be because he does not depend on anyone or anything. He loves a challenge and will do anything he can to live life to its fullest extent. Ed Gentry, the central character, represents all in the way he looks up to Lewis and strives to be like him. Most men fall into the same category as Drew because their ability to survive has been clouded by rational thoughts. Then there is Bobby. Most men do not want to be linked with Bobby be cause he can not live without help from civilization. Even though these characters posses many of the same traits, their main differences are in their ability to survive life. They also have different views on life. Lewis sees life as a game that you must constantly challenge if you are to survive. Drew sees life as a struggle that should never be challenged. Then there is Bobby who sees life as something he does not have to worry about because their will always be someone their to help him through it. All three of these characters possess traits that can be identified in every man. First there is Lewis, a middle aged man that is at the prime of his life, and fears nothing. He is the strongest character in the book. He is, "†¦ a physical-conditioning perfectionist with misplaces survival-of-the-fittest instincts and cave-man yearnings"(Warren). Lewis is the man that most men want to be like because he needs no one to survive but himself. He constantly demonstrates a primitive l ife-style that no longer exists. The primitive life-style he demonstrates is one of survival. Lewis is an attractive character for males because of his need for no one. He needs no one to life his life for him.

Burgess’s Comment on Society in A Clockwork Orange

The decade in which post-war social change is felt to have been concentrated is the 1960s. This is certainly a simplification, but it does help pinpoint some of the more dramatic changes that may have been longer in the making. For example, one of the key social changes of the 1960s is the emergence of ‘youth culture'. The sense of a newly empowered sector of society is conveyed principally by the new spending power of young people, and the emergence of mainstream youth-related cultural forms, especially pop music, that quickly become significant components of the economy.The most memorable fictional treatment of youth culture in the 1960s, however, puts a very different construction on the changing balance of power. In A Clockwork Orange (1962) Anthony Burgess isolates the tribal, antisocial elements of youth culture in a dystopian fable of violence as leisure. On the surface A Clockwork Orange is a novel about juvenile delinquents in a near-future Britain, but on a deeper lev el it is a novel about conditioning and free will.Even the parboiled paternalism of the Empire and the synthetic socialism of the welfare state had still apparently left room – though not much – for a dialogue between the individual and society and had kept alive discussions as to what was right and what was wrong with England. Now what had been the issue was exacted from the sensibilities of those who, glutted physically and socially, lived under what amounted to a deadening hedonism.It must have seemed only logical to Burgess, after exploring the dialectics of the single and collective mind, that the problem of the novelist was to probe its metaphysics- to see how the naked needs of his rebel anti-heroes could be met in a mad, lost, loveless, brutal, sterile world. Alex, the gross product of welfare state overkill, is not depraved because he is deprived but because he is indulged. â€Å"Myself,† he notes rather pathetically at the beginning of A Clockwork Oran ge, â€Å"I couldn't help a bit of disappointment at things as they were those days. Nothing to fight against really.Everything as easy as kiss-my-sharries† (Burgess 11). Alex's utopia is more than the result of self-gratification; it is the consequence of the â€Å"original sin† inborn with every offspring of modern organizational leviathans. Having discovered that existence has always meant freedom, but never having been taught â€Å"goodness,† Alex responds predictably and inevitably to the killing burden of choice. Alex took on the status of a heavy metal hero, psychologically lobotomized by an insensitive society. Alex's tone is consistently bright, breezy, humorous, cynical, confident, and amoral, as is Alex himself.This is the opening of his story: â€Å"What's it going to be then, eh? There was me, that is Alex, and my three droogs† (Burgess 5). It is a book focusing on â€Å"the chance to be good† and proceeding from a single, significant existential dilemma: Is an evil human being with free choice preferable to a good zombie without it? Indeed, at two points in the novel Burgess spells out the dilemma for us. On one occasion, Alex, about to submit to conditioning, is admonished by the prison chaplain: â€Å"It may not be nice to be good, little 6655321. It may be horrible to be good. . . . Does God want goodness or the choice of goodness?Is a man who chooses the bad perhaps in some ways better than a man who has the good imposed upon him? . . . A terrible terrible thing to consider. And yet, in a sense, in choosing to be deprived of the ability to make an ethical choice, you have in a sense really chosen the good† (Burgess 96). And on the other, the unwitting F. Alexander, with whom Alex finds sanctuary temporarily, similarly remarks: â€Å"You've sinned, I suppose, but your punishment has been out of all proportion. They have turned you into something other than a human being. You have no power of choice an y longer.You are committed to socially acceptable acts, a little machine capable only of good. . . . But the essential intention is the real sin. A man who cannot choose ceases to be a man† (Burgess 153-54). Yet, were this all Burgess had to say on the matter, the impetus of the dilemma would lose substantially in force. Society at large has never troubled itself with the existential agony (unless to repress some manifestation of it), and judging from the preponderance of sentiment abroad today, it would undoubtedly applaud the conditioning process that champions stability over freedom.But Burgess has found inhering in the central dilemma considerations even more immediate. What distinctions between good and evil are possible in the contemporary world? As absolutes, have such distinctions not been totally perverted or obliterated? And as relative terms, depending for definition on what each negates or excludes, have they not become purely subjective? In a technically perfect s ociety that has sapped our vitality for constructive choice, we are, whether choosing good or evil, zombies of one sort or another: Each of us is a little clockwork orange making up the whole of one great clockwork orange.Burgess blames the excesses of human nature on a repressive society that corrupts its citizens – and primarily its youth – by restricting their liberty and force – feeding them outmoded values. Thus, their natural rebellion gets out of hand and only leads to more repression. The result is the satirical picture of a society moving towards an ever more repressive future. Burgess foresees a social trend toward increasing state/government control of individual lives, culminating in a political system which hires thugs as police and condones brain-washing techniques to ‘reform’ criminals.Youth violence has reached an extreme which is clearly fantastic; the failure of the adult world to prevent/control/ reform youth-as-psychopathic-condi tion reaches an equally blackly humorous extreme. For example, on April 19, 1989, a young banker, walking in Central Park, was raped and left to die. The police soon caught a group of Harlem teens and charged them with gang rape. â€Å"Wilding – the newest term for terror in a city that lives in fear,† wrote the New York Post on April 22 (Hancock 38). I think term â€Å"Wilding† defined by the Post writers can be referred to the violent raves in A Clockwork Orange.In Burgess’s A Clockwork Orange political pragmatism reigns: venal politicians grasp at sure and easy ways to erase crime; the police are as violent as the criminals they battle; political reformers are prepared to destroy ‘victims’ like Alex in their attempts to bring down the government. These mainstream social/ political structures try, but fail, to reduce Alex to ‘a clockwork orange’. Works Cited Burgess, Anthony. A Clockwork Orange. New York: Norton, 1963. Hancock, Lynnell. â€Å"Wolf Pack: The Press and the Central Park Jogger. † Columbia Journalism Review. Vol. : 41, 5 January-February 2003, 38. Burgess’s Comment on Society in A Clockwork Orange The decade in which post-war social change is felt to have been concentrated is the 1960s. This is certainly a simplification, but it does help pinpoint some of the more dramatic changes that may have been longer in the making. For example, one of the key social changes of the 1960s is the emergence of ‘youth culture'. The sense of a newly empowered sector of society is conveyed principally by the new spending power of young people, and the emergence of mainstream youth-related cultural forms, especially pop music, that quickly become significant components of the economy.The most memorable fictional treatment of youth culture in the 1960s, however, puts a very different construction on the changing balance of power. In A Clockwork Orange (1962) Anthony Burgess isolates the tribal, antisocial elements of youth culture in a dystopian fable of violence as leisure. On the surface A Clockwork Orange is a novel about juvenile delinquents in a near-future Britain, but on a deeper lev el it is a novel about conditioning and free will.Even the parboiled paternalism of the Empire and the synthetic socialism of the welfare state had still apparently left room – though not much – for a dialogue between the individual and society and had kept alive discussions as to what was right and what was wrong with England. Now what had been the issue was exacted from the sensibilities of those who, glutted physically and socially, lived under what amounted to a deadening hedonism.It must have seemed only logical to Burgess, after exploring the dialectics of the single and collective mind, that the problem of the novelist was to probe its metaphysics- to see how the naked needs of his rebel anti-heroes could be met in a mad, lost, loveless, brutal, sterile world. Alex, the gross product of welfare state overkill, is not depraved because he is deprived but because he is indulged. â€Å"Myself,† he notes rather pathetically at the beginning of A Clockwork Oran ge, â€Å"I couldn't help a bit of disappointment at things as they were those days. Nothing to fight against really.Everything as easy as kiss-my-sharries† (Burgess 11). Alex's utopia is more than the result of self-gratification; it is the consequence of the â€Å"original sin† inborn with every offspring of modern organizational leviathans. Having discovered that existence has always meant freedom, but never having been taught â€Å"goodness,† Alex responds predictably and inevitably to the killing burden of choice. Alex took on the status of a heavy metal hero, psychologically lobotomized by an insensitive society. Alex's tone is consistently bright, breezy, humorous, cynical, confident, and amoral, as is Alex himself.This is the opening of his story: â€Å"What's it going to be then, eh? There was me, that is Alex, and my three droogs† (Burgess 5). It is a book focusing on â€Å"the chance to be good† and proceeding from a single, significant existential dilemma: Is an evil human being with free choice preferable to a good zombie without it? Indeed, at two points in the novel Burgess spells out the dilemma for us. On one occasion, Alex, about to submit to conditioning, is admonished by the prison chaplain: â€Å"It may not be nice to be good, little 6655321. It may be horrible to be good. . . . Does God want goodness or the choice of goodness?Is a man who chooses the bad perhaps in some ways better than a man who has the good imposed upon him? . . . A terrible terrible thing to consider. And yet, in a sense, in choosing to be deprived of the ability to make an ethical choice, you have in a sense really chosen the good† (Burgess 96). And on the other, the unwitting F. Alexander, with whom Alex finds sanctuary temporarily, similarly remarks: â€Å"You've sinned, I suppose, but your punishment has been out of all proportion. They have turned you into something other than a human being. You have no power of choice an y longer.You are committed to socially acceptable acts, a little machine capable only of good. . . . But the essential intention is the real sin. A man who cannot choose ceases to be a man† (Burgess 153-54). Yet, were this all Burgess had to say on the matter, the impetus of the dilemma would lose substantially in force. Society at large has never troubled itself with the existential agony (unless to repress some manifestation of it), and judging from the preponderance of sentiment abroad today, it would undoubtedly applaud the conditioning process that champions stability over freedom.But Burgess has found inhering in the central dilemma considerations even more immediate. What distinctions between good and evil are possible in the contemporary world? As absolutes, have such distinctions not been totally perverted or obliterated? And as relative terms, depending for definition on what each negates or excludes, have they not become purely subjective? In a technically perfect s ociety that has sapped our vitality for constructive choice, we are, whether choosing good or evil, zombies of one sort or another: Each of us is a little clockwork orange making up the whole of one great clockwork orange.Burgess blames the excesses of human nature on a repressive society that corrupts its citizens – and primarily its youth – by restricting their liberty and force – feeding them outmoded values. Thus, their natural rebellion gets out of hand and only leads to more repression. The result is the satirical picture of a society moving towards an ever more repressive future. Burgess foresees a social trend toward increasing state/government control of individual lives, culminating in a political system which hires thugs as police and condones brain-washing techniques to ‘reform’ criminals.Youth violence has reached an extreme which is clearly fantastic; the failure of the adult world to prevent/control/ reform youth-as-psychopathic-condi tion reaches an equally blackly humorous extreme. For example, on April 19, 1989, a young banker, walking in Central Park, was raped and left to die. The police soon caught a group of Harlem teens and charged them with gang rape. â€Å"Wilding – the newest term for terror in a city that lives in fear,† wrote the New York Post on April 22 (Hancock 38). I think term â€Å"Wilding† defined by the Post writers can be referred to the violent raves in A Clockwork Orange.In Burgess’s A Clockwork Orange political pragmatism reigns: venal politicians grasp at sure and easy ways to erase crime; the police are as violent as the criminals they battle; political reformers are prepared to destroy ‘victims’ like Alex in their attempts to bring down the government. These mainstream social/ political structures try, but fail, to reduce Alex to ‘a clockwork orange’. Works Cited Burgess, Anthony. A Clockwork Orange. New York: Norton, 1963. Hancock, Lynnell. â€Å"Wolf Pack: The Press and the Central Park Jogger. † Columbia Journalism Review. Vol. : 41, 5 January-February 2003, 38.

Harlem Renaissance - 3262 Words

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize â€Å"the Negro† apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had†¦show more content†¦As various forms of cultural-pluralist thought took hold, a fertile environment for the blossoming of African American arts developed. Moreover, the effort on the part of some American intellec tuals to distinguish American literature and culture from European cultural forms dovetailed with African American intellectuals’ beliefs about their relationship to American national identity. Du Bois and his NAACP colleague James Weldon Johnson asserted that the only uniquely â€Å"American† expressive traditions in the United States had been developed by African Americans. They, more than any other group, had been forced to remake themselves in the New World, Du Bois and Johnson argued, while whites continued to look to Europe or sacrificed artistic values to commercial ones. (Native American cultures, on the other hand, seemed to be â€Å"dying out,† they claimed.) African Americans’ centuries-long struggle for freedom had made them the prophets of democracy and the artistic vanguard of American culture. This judgment began unexpectedly to spread as African American music, especially the blues and jazz, became a worldwide sensation. Black music provided the pulse of the Harlem Renaissance and of the Jazz Age more generally. The rise of the â€Å"race records† industry, beginning with OKeh’s recording of Mamie Smith’sShow MoreRelatedHarlem And The Harlem Renaissance Essay2269 Words   |  10 Pagessouthern African Americans migrated to a city called Harlem in New York. They relocated due to dogmatism and intolerance of melanin diverging out the of pores of many white southerners. The African Americans who migrated found new opportunities both economic and artistic that resulted to the creation of a stable middle class Black –Americans (Dover, 2006). This was the Harlem Renaissance a cultural, social, and artistic explosion. The core of Harlem expressed by Alain Locke is that through art, â€Å"negroRead MoreHarlem And The Harlem Renaissance1430 Words    |  6 Pagesmoved in to urban cities such as Chicago, Detroit, and Harlem. Out of these northern metropolises, the most popular was Harlem; â€Å"here in Manhattan (Harlem) is not merely the largest Negro community in the world, but the first concentration in history of so many diverse element of Negro life†(1050). Harlem became the mecca of black people, and between the years of 1920 and the late 1930s it was known as the Harlem Renaissance. The Harlem Renaissance, brought artiest, poets, writers, musicians, and intelligentRead MoreThe Harlem Renaissance850 Words   |  4 Pages Giselle Villanueva History IB Mr. Flores February 7, 2016 Period 4 Word Count: 693 Harlem Renaissance The Harlem Renaissance was the first period in the history of the United States in which a group of black poets, authors, and essayist seized the opportunity to express themselves. The Great Migration was the movement of six million African Americans from the rural South to the cities of the North during 1916 to 1970. Driven from their homes by unsatisfactory economic opportunities and harsh segregationistRead MoreThe Harlem Renaissance1154 Words   |  5 PagesIV AP 16 November 2015 The Harlem Renaissance The early 1900s was a time marked with tragedy in America. Started and ended with the Great Depression in between, it was not America s finest moment. Prohibition was in place, the Klu Klux Klan was still marching, and the Lost Generation was leaving for Paris. But despite the troubling times, people still found beauty and meaning in the world around them. They still created art and celebrated life. The Harlem Renaissance was an artistic and literaryRead MoreThe Harlem Renaissance941 Words   |  4 PagesThe Harlem Renaissance was a cultural movement, in the early 1920’s, that involved vibrancies of new life, ideas, and perceptions. The large migration of African Americans northward, after World War I, allowed people of color the opportunity to collaborate in the New York City neighborhood, known as Harlem. This renaissance allowed the city to thrive on a refined understanding and appreciation of the arts. Many individuals were involved in this movement including doctors, s tudents, shopkeepers,Read MoreThe Harlem Renaissance1317 Words   |  6 Pagesday is the Harlem Renaissance. The Harlem Renaissance is the cultural movement of the 1920’s. The movement essentially kindled a new black cultural identity through art, literature and intellect. The Harlem Renaissance started during the Roaring Twenties. It took place in Harlem, New York. It became most prominent in the mid to late 1920’s and it diminished toward the early 1930’s (Henderson). The Harlem Renaissance was initially called the New Negro Movement or the New Negro Renaissance. It was theRead More The Harlem Renaissance Essay1513 Words   |  7 PagesThe Harlem Renaissance      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Chapter 1 Introduction   Ã‚  Ã‚  Ã‚  Ã‚  Harlem Renaissance, an African American cultural movement of the 1920s and early 1930s that was centered in the Harlem neighborhood of New York City. According to Wintz: The Harlem Renaissance was â€Å"variously known as the New Negro movement, the New Negro Renaissance, and the Negro Renaissance, the movement emerged toward the end of World War I in 1918, blossomed in the mid- to late 1920s, and then withered in the mid-1930sRead MoreHarlem Renaissance Essay1069 Words   |  5 PagesHARLEM RENAISSANCE Throughout the history of African Americans, there have been important historical figures as well as times. Revered and inspirational leaders and eras like, Martin Luther King and the Civil Rights Movement, Nat Turner and the slave revolt, or Huey Newton and the Black Panther Party. One such period that will always remain a significant part of black art and culture is the Harlem Renaissance. It changed the meaning of art and poetry, as it was known then. Furthermore, theRead More The Harlem Renaissance Essay1031 Words   |  5 PagesHARLEM RENAISSANCE Throughout the history of African Americans, there have been important historical figures as well as times. Revered and inspirational leaders and eras like, Martin Luther King and the Civil Rights Movement, Nat Turner and the slave revolt, or Huey Newton and the Black Panther Party. One such period that will always remain a significant part of black art and culture is the Harlem Renaissance. It changed the meaning of art and poetry, as it was known then. Furthermore, theRead More The Harlem Renaissance Essay524 Words   |  3 Pages Harlem Renaissance nbsp;nbsp;nbsp;nbsp;nbsp;The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part